Making Myself Up

A couple of weeks ago I shared time in the car with a friend who is also a writer and has a tremendous influence on my own writing. We were going to a fancy-dress event, and I'd taken great pains choosing what I would wear, tending to my hair, jewelry, and makeup. When I picked up my friend, I noticed how nice she looked, and for the first time in the 25 years of our friendship also noticed she had on no makeup. My skills at observation aren't bad...I love to write about details, and I tell my writing students to use details to further plot, setting, character, often citing Chekhov's gun: "If there's a gun in act one, it must go off by act three." Or some variation on that notion. I pride myself on my powers of observing and remembering details. So how is it that I'd never noticed that my friend doesn't wear makeup?

She and I are the same age, so it's not as if a youthful countenance makes it unnecessary for her to paint her face. Her skin is lovely, but not flawless. She uses her best feature to her advantage: a full head of curly black hair that she keeps dark, but allowing the gray at her temples to remain untouched. That evening I asked her if she'd ever worn makeup, and she said, "Oh, I experimented with it in college, but it always made me feel clownish, so I never used it again."

Lately, in addition to having new thoughts about makeup, I'm questioning pocketbooks (I will get to the point of this blog in a minute or ten, I promise). An acupuncturist who's been seeing me for shoulder pain has recommended that I rethink carrying a pocketbook...my go-to purse is a Baggalini, designed by flight attendants for ergonomics and efficiency. I carry it backpack style, one strap over each shoulder. It's filled with what's always felt requisite: in two outer zippered compartments are a calendar, a notepad (for random creative thoughts), a comb, a bib (don't ask) and a handkerchief; inside are 10-12 credit-card thingees (eg, three credit cards, my AAA card, my social security card, my library card, etc.), a change purse, checks (to keep from having to carry a checkbook), my cell phone, business cards in a fabric case, 3 pens, a small tube of hand lotion, a cloth for cleaning my glasses, folding money, bookmarks to advertise my novel, and my makeup bag (zipper closure, about 4x4", crammed full).

How do men do it? How do they survive without pocketbooks? For one thing, they don't carry as much as women do, and for another, they have pockets (many years ago I stopped buying slacks without pockets, but even still, my pants only have two, not the four that men count on, and I seldom have a pocket in my blouses). And for a third and most important thing, most men don't wear makeup (I know a couple of them who do, but I won't go there).

Back to my friend who wears no makeup...she carries a huge pocketbook that is almost always crammed full, so it's not true that giving up makeup will free me of pocketbooks.

TWO WEEKS LATER: For at least two weeks now I've gone without makeup, with one exception--a reading last week...in the car I put on makeup without even thinking about it. When I realized what I was doing, it was too late, and I shrugged off my feelings of having in some way let myself down. My title for this post came to me in several variations: "Making Myself Up" and "Making Up Myself" and "Making Up" and "Pretending." I'm keeping the first one, because it most conveys what's behind this ramble...when I cover my skin with concealer (aptly chosen Mad-Ave term), when I define my brows, thicken my lashes, add blush to my cheeks and color to my lips, I've made up someone I am not.

For now, I'm facing the world with what assets I have: good skin, clear blue eyes, hair that behaves most of the time. There's something honest about not enhancing myself, and I plan to continue this experiment until I have a definite take on how I want to live from now on (with or without my concealers).

I have a new Baggalini--a hip bag, no weight on my shoulders. Most important of all, it's too small for makeup.

Back to High School

Last week in Clinton, NY, I returned to high school. First in two senior creative writing classes taught by the phenomenal Deb Hepburn, Clinton High School. Her energy and enthusiasm are amazing. I don't know how old she is, but I think she's close to a contemporary of mine, and I'm 71. I'm tall-ish (5'9") and she's short-ish (I'm guessing 5' even); I'm bountiful and she's trim...physical polar opposites, but meeting her was like meeting an old friend. If I could be a high school teacher, she'd be my model. When she welcomes a visitor to her class, she rings gongs, over and over. I never saw her sitting down, and when she walks, she bounces. She introduced me to the kids and stepped back, letting me take over. The only time she spoke up was on the one or two occasions when no one was coming up with a question for me...she prompted her students and they responded immediately to that. When I appeared at Barnes & Noble the next day, she bought 21 of my books because she wanted to give them to her students. I'm still stunned by her generosity and dedication. She wants to teach until she drops!

My second experience with high school students was having dinner with the ABC Scholars of Clinton and the Mohawk Valley...seven young men: two freshmen, one sophomore, two juniors, and two seniors; four are from New York City, one from New Jersey, one from Connecticut, and one from Massachusetts. Their newsletter says: "Since its inception in 1972, A Better Chance of Clinton & the Mohawk Valley has graduated more than ninety young men from Clinton High School. They have continued their education at colleges such as Clarkson University, Cornell University, Columbia, Fordham, Gettysburg, Hamilton, Ithaca, Macalester, MIT, Princeton, Rollins, Siena, St. Lawrence University, University of Rochester, and Union." The boys are welcomed into the community and assisted by students from Hamilton College. I had such a great time with them. Had one humorous exchange as a result of a generation gap: A young man introduced himself, "Hi, I'm O'Neal." Simultaneously we spoke...he said, "Like Shaquille" as I said, "Like Eugene." I know who Shaq is, but had to laugh when he said, of Eugene, "Who?" So a conversation ensued in which I explained about my love of O'Neill's plays.

Then, over the weekend after I returned to North Carolina, I went to Banner Elk for a reunion with a senior high group I was adviser to at the Unitarian Universalist Congregation of Charlotte from 1977 to 1979. Those “kids” are now in their late 40s and early 50s...what a remarkable experience.

And yesterday I went to a senior honors English class, via Skype, at Charleston High School in Charleston, IL, with another fine teacher, Dawn Drake. I met her when she put a review of my book on youtube...another example of the internet bringing people together. The 40 minutes of Skype in her classroom sped by. The students had read the first four chapters of my book and their questions were great.

Bottom line is this. After my experiences in Clinton, NY, Banner Elk, NC, and Charleston, IL, I want more time with high school students! And would love it if I could follow up with them 30 or 40 years later…of course, given my current age, that’s not going to happen. But I never again want to deprive myself of their curiosity, their vitality, their thoughts and ideas. They live in a world of the future that I can never inhabit, as Kahlil Gibran notes in the poem, “Children,” in THE PROPHET:

And a woman who held a babe against her bosom said, "Speak to us of Children."
And he said:
Your children are not your children.
They are the sons and daughters of Life's longing for itself.
They come through you but not from you,
And though they are with you, yet they belong not to you.
You may give them your love but not your thoughts.
For they have their own thoughts.
You may house their bodies but not their souls,
For their souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams.
You may strive to be like them, but seek not to make them like you.
For life goes not backward nor tarries with yesterday.
You are the bows from which your children as living arrows are sent forth.
The archer sees the mark upon the path of the infinite, and He bends you with His might that His arrows may go swift and far.
Let your bending in the archer's hand be for gladness;
For even as he loves the arrow that flies, so He loves also the bow that is stable.

Bogue Inlet Beach Tree

How lonely, how confusing it must be for one small cedar that now sits on a slight rise ten yards north of ocean’s edge at high tide, taller than anything on the vast beach for a thousand yards to the east, west, and south. Though it seems firmly seated, the certainty of rootlessness makes mockery of the green branches. How can something so young and sturdy in appearance be already dead, sap no longer flowing, without memory now of the forest or⎯for certainly this is why it appeared on a beach in early January⎯of ornaments that glittered on it just a week ago? By surmise and evidence its trunk was severed at least a month before its debut as a beach ornament.

 

 

 

 

 

 

 

 

 

But how do I know whether it died when its roots were cut? Maybe it retains sensibility until all green goes brown and needles blow away, leaving only stick limbs and gray trunk.
And why does it amuse me to anthropomorphize a tree?

Three days after Christmas I saw a car on the causeway with a tree tied to its roof, heading onto the island instead of to some landfill on the mainland. I thought the tree was destined for the dunes, where it would serve as part of a groin⎯I read somewhere that beach authorities devised that fine idea for the disposal of Christmas trees. Maybe that was the car that brought this small cedar onto the island for one last upright fling⎯certainly it cannot long withstand the wind at ocean’s edge, and it will die of loneliness, if not of a gale, lacking as it does the companionship and shelter of its fellows.

Was thought given to where the tree would be left? It is planted naturally enough, trunk in the sand, but was that a conscious decision? Did the prankster who left it there by the water consider that it might be even funnier⎯odder⎯if the tree were put into the sand top down, with its trunk exposed as my butt would be if I were planted on the beach head-first? No, I think the intended joke was just a lone Christmas tree (for surely that’s what it was, for one glorious month of its several years of life) on an isolated beach. And whatever its orientation is to the sun, that, too, had to be random, for I can’t imagine any thought was given to what exposure would be most comfortable for the tree. Does something so perfectly round have a side? And if so, is its east side now facing north? Are branches that used to greet the dawn now astonished by sunsets?

Is it at all comforted by parasites remaining within it, bugs or worms who’ve clung to it steadfastly through uprooting and decorating and bells and music and oohing-ahing over gifts and squabbling at dinner about who will do the dishes or why Grandma doesn’t like Uncle Joe? Do sandpipers occasionally sit on it and remind it of the robins and wrens and crows and cardinals that flew in and out of its branches, or the occasional nest that housed a feathered family for a brief season?

If a tree falls at the edge of the sea and no one is there, does it cry out? Does it yet retain enough life that it can hear the incessant moan of the offshore buoy, a forlorn mourning every minute or so, always the same monotonic call, day in and year out?

The circle drawn in the sand around the little tree seems to say “keep your distance”⎯did whoever abandoned it intend that it should have its own DMZ, a delineated territory five feet in diameter, on a beach that is itself a demilitarized zone fifteen miles from the daily mortar practice at nearby Camp LeJeune? The constant booming, at a safe distance, almost comforts me in its thunder-like rumblings. Does the tree feel the trembling of the shore that follows every detonation? Does it fear a misjudgment by rookie marines with the power to blow up an offshore island just for practice?

Or is my supposition totally wrong? Did someone bring a sapling, complete with root ball, and plant it as a solitary sentry at ocean’s edge, just to see what would happen?

Well, little cedar, while you stand you have solitude and a great view. Maybe seagulls love your berries. Who am I to know?